Art Gallery
2020
Lucid Void
This body of work explores the effects of sensory deprivation on the mind and body by using literary and art historical Gothic sensibilities. Under certain circumstances, sensory deprivation can produce hallucinations, paranoia, anhedonia, loss of personal identity, and symptoms of psychosis that disconnect the subject from reality. The conditions of sensory deprivation fall far below the mind’s optimal level of stimulation, leaving room for much to go wrong in the brain. I decided to try sensory deprivation for myself and spent an hour and a half in a tank, knowing that previous research has documented altered brain function and hallucinations occurring after as little as fifteen minutes. What I came away from the experience with greatly inspired my portraits and sculptures.
In the drawings, the eyeless and earless figures are in a state of sensory deprivation that reduces their environment to the horrors the mind invents for them. Their gaudily decorated environments are inspired by the chaotically crowded detailing of Gothic illuminated manuscripts, and are representative of the mind’s disconcerting imaginations that fill the lack of sensory perception. The sculpted hands address the sense of touch, since a lot of our sense of touch is concentrated there. They also battle the environment of the mind, experiencing their own Gothic horror story as their state of being becomes confused and overtaken. The decorated environments are filled with natural and bodily elements. Because the experience of sensory deprivation is a reaction exclusively between the mind and body, I designed the generated horrors to reference the idea of the body and what is lost from the body accordingly. It is a unique horror to be confronted by something both familiar and yet other and strange.
Drawings
Ceramics
Textiles
AWARE Animal Portraits
This is a series of digital portraits of the Atlanta Wild Animal Rescue Effort's ambassador and rehab wildlife.
Digital
Ceramics
2019
Expanses
Humanity is plagued by the idea of the unknown, even while being surrounded by a and infinite amount of space. Vast spaces breed opportunities for unknown things, and our ignorance of them threatens us with insignificance. This series places us within the infinite and the unknown, in a way that actively acknowledges and even embraces them.
Abstract Paintings
Opossum Jug Series
Portraits
2018
Ceramics
Bookbinding
Metals
2017
Shading
Shading is a series of photographs that focus on the abstraction of light and shadow. Line and pattern become dominant features of interest in each composition. This body of work was inspired by some of Paul Strand's more abstract black and white photography.